Measuring 110 x 110 centimeters, this painting is the only work of this size within the series "36 Moods of the Wilder Kaiser."

It depicts a summer evening scene, in which only the highest peaks are touched by the last rays of sunlight. The rest of the Wilder Kaiser mountain range is already in deep shadow, which makes the cool blue and green tones of the landscape stand out particularly clearly.

The loose, shimmering brushstrokes deliberately allude to the painting style of Claude Monet and the themes of French Impressionism. However, this is not about copying his visual language, but rather about exploring how light, color, and atmosphere can be captured solely through the painterly application of paint.

Within the series, this painting occupies a unique position. It expands the "36 Moods of the Wilder Kaiser" not only by exploring new questions about the effects of light, but also by examining the painterly effect itself. The focus is on the movement of the brushstroke, the interplay of colors, and the effect of painting as an independent means of expression.